• About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Interview
  • Contents of the City
  • Slag Glass Tumblr
A man walks behind a construction sign that reads "ROADWORK ON SIDE ROAD" on a busy city street.
A child plays hopscotch by herself while a lady in a headscarf walks away in the background.
SLAG GLASS CITY logoSLAG GLASS CITY logo
  • About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Interview
  • Contents of the City
  • Slag Glass Tumblr
The Slag Glass Interview

“Love You Back to Life,” an Interview with Jaquira Díaz

Finding Truth Across Genre and Shattering Shame: An Interview with Sheila O’Connor

Our Earth Is An Encyclopedia: A Conversation with David Carlin & Nicole Walker

i. The book cover for E.J.R. David’s “We Have Not Stopped Trembling Yet: Letters to My Filipino-Athabascan Family.” There are grey cirlces and a large, faded “X” shape behind the title.

Letter to My 4-Year Old Son: An Epistolary Review

Seven questions for the authors of Buffalo Trace

YOUR BODY IS A PUBLIC SPACE: A conversation with Eula Biss

A bright red sign with a giant yellow button attached, reads “Sewing Forgiveness.”

Making Art for Living Cities

SLAG GLASS CITY is made possible by support from DePaul University in Chicago, Illinois.

We are a proud member of CLMP.

ISSN: 2644-1004

Search
  • About Slag Glass City
  • Submit to the City
  • Essay, Memoir, & Lyric
  • Report & Eyewitness
  • Rant & Remedy
  • INTERVIEW & HAPPENING
  • Contents of the City

Tags

Arizona Australia Belonging book Bridgeport California Chicago city city life city portrait climate change commuting creative nonfiction Detroit English Family fiction Flagstaff freedom Gentrification Homelessness Hometown Narrative industrialization Interview Language letter letters love marriage Melbourne Minneapolis Mumbai Murder nature Neighborhoods New York City nonfiction personal essay Photography Public Transportation Queer Voices Travel urban Urban Decay youth
Copyright 2014 SlagGlassCity.org