• About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Interview
  • Contents of the City
  • Slag Glass Tumblr
One a soul undone. A mural of people pulling things along like their children, groceries, and lunches.
Tropical-like house with a blue door and white and yellow exterior
SLAG GLASS CITY logoSLAG GLASS CITY logo
  • About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Interview
  • Contents of the City
  • Slag Glass Tumblr
The Slag Glass Interview

Exploring the Way of Imagination: an Interview with Scott Russell Sanders

“Love You Back to Life,” an Interview with Jaquira Díaz

Finding Truth Across Genre and Shattering Shame: An Interview with Sheila O’Connor

Our Earth Is An Encyclopedia: A Conversation with David Carlin & Nicole Walker

i. The book cover for E.J.R. David’s “We Have Not Stopped Trembling Yet: Letters to My Filipino-Athabascan Family.” There are grey cirlces and a large, faded “X” shape behind the title.

Letter to My 4-Year Old Son: An Epistolary Review

Seven questions for the authors of Buffalo Trace

YOUR BODY IS A PUBLIC SPACE: A conversation with Eula Biss

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SLAG GLASS CITY is made possible by support from DePaul University in Chicago, Illinois.

We are a proud member of CLMP.

ISSN: 2644-1004

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  • About Slag Glass City
  • Submit to the City
  • Essay, Memoir, & Lyric
  • Report & Eyewitness
  • Rant & Remedy
  • INTERVIEW & HAPPENING
  • Contents of the City

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