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  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
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    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
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    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Review & Interview
    • BIG SHOULDERS BOOKS: Virus City
  • Contents of the City
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SLAG GLASS CITY logoSLAG GLASS CITY logo
  • About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Review & Interview
    • BIG SHOULDERS BOOKS: Virus City
  • Contents of the City
  • Slag Glass Tumblr
Tagged: Protest

Letter from the Editor

Multicolored houses all in a row in Baltimore, Maryland.

Baltimore City, April 2015

SLAG GLASS CITY is made possible by support from DePaul University in Chicago, Illinois.

We are a proud member of CLMP.

ISSN: 2644-1004

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