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  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Interview
  • Contents of the City
  • Slag Glass Tumblr
Poster from 1937 Columbia Pictures film Paid to Dance. The women in the poster are leaning towards the camera and not smiling
Sunset with telephone poles.
SLAG GLASS CITY logoSLAG GLASS CITY logo
  • About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Interview
  • Contents of the City
  • Slag Glass Tumblr
Tagged: Photography

Heurtoirs d’Aix-en-Provence, France

Plaza

Sunlight shines into the deserted floor of a dilapidated building. The dirty concrete floor is crumbling and the ceiling is missing a few tiles. It is clear this decaying building has been long abandoned.

Verschwinden (Disappear)

A child plays hopscotch by herself while a lady in a headscarf walks away in the background.

THE PARTS DON’T ADD UP

Mexico City

A mannequin with wooden hands stands in front of a sun like mirror. An urban setting can be seen in the reflection of the glass.

Ghosts-in-the-Machine

Image of trees and a checkerboard floor pattern are stitched together.

Transitory Space

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