• About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
    • SPECIAL ISSUE—THE ARCHIVAL CITY
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Review & Interview
    • BIG SHOULDERS BOOKS: Virus City
  • Contents of the City
  • Slag Glass Tumblr
There is a building of metal sheeting and a train car alongside a train track. On the right, there are buildings in the distance, covered mostly by trees. There is snow on the ground.
A one-story brown brick and white plaster house with a slanted roof; a car is parked on a cracked driveway surrounded by overgrown plants.
Two men are sitting together on a city bench. The man sitting on the left side of the bench is wearing a hat, sunglasses, and a tank top that says “The Smiths.” His arm is wrapped around the shoulder of the man on the right who is wearing a t-shirt and jean shorts.
SLAG GLASS CITY logoSLAG GLASS CITY logo
  • About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
    • SPECIAL ISSUE—THE ARCHIVAL CITY
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Review & Interview
    • BIG SHOULDERS BOOKS: Virus City
  • Contents of the City
  • Slag Glass Tumblr
Tagged: healthdisparities
i. The book cover for E.J.R. David’s “We Have Not Stopped Trembling Yet: Letters to My Filipino-Athabascan Family.” There are grey cirlces and a large, faded “X” shape behind the title.

Letter to My 4-Year Old Son: An Epistolary Review

SLAG GLASS CITY is made possible by support from DePaul University in Chicago, Illinois.

We are a proud member of CLMP.

ISSN: 2644-1004

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