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i. The book cover for E.J.R. David’s “We Have Not Stopped Trembling Yet: Letters to My Filipino-Athabascan Family.” There are grey cirlces and a large, faded “X” shape behind the title.
SLAG GLASS CITY logoSLAG GLASS CITY logo
  • About
  • Contact Us
  • Submit to the City
  • Essay, Memoir, & Lyric
    • SECTION 1—Walkers in the City
    • SECTION 2—Intimate Graffiti
    • SECTION 3—Bicycles, Trains, & Automobiles
    • SECTION 4—Textual Burlesque
    • SPECIAL ISSUE—THE ARCHIVAL CITY
  • Report & Eyewitness
    • SECTION 5—All the City’s a Stage
    • SECTION 6—Urban Fabric
    • SECTION 7—After Slag
    • SECTION 8—Strangers Here Ourselves
    • SPECIAL ISSUE—This Blissful City 2021
  • RANT & REMEDY
    • SECTION 9—The Living Grid
    • SECTION 10—Mean Streets
    • SECTION 11—Letter From Another City
    • SECTION 12—Continuous City
    • From the Editor’s Desk—Sally Rand’s Fan Dance
  • INTERVIEW & HAPPENING
    • Slag Glass Happenings
    • The Slag Glass Review & Interview
    • BIG SHOULDERS BOOKS: Virus City
  • Contents of the City
  • Slag Glass Tumblr

THE ARCHIVAL CITY continues into Spring 2026: Commissioned Works by Three Contemporary Essayists Writing from the Archives.

Our first essay in this series is “When Bones Talk,” by Renee Simms, available now. Watch for two more to close out our 2025-2026 special issue THE ARCHIVAL CITY.

About Barrie Jean Borich

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